Simply Dolly Wells

October 13, 2020  admin Comments are off Uncategorized
The Pursuit Of Love executive producer Charles Collier has revealed that his production outfit Open Book and Moonage Pictures are planning to make three seasons of the buzzy Lily James period drama. The adaptation of Nancy Mitford’s classic novel is a co-production between the BBC and Amazon, and Collier told a Mipcom Online+ event on Monday that his aim is also to bring the author’s two sequel books to the screen. “It’s part of a trilogy of books. We hope to bring the books to life in future seasons, so The Pursuit Of Love Season 2 would be called Love In A Cold Climate based on a brilliant book by Nancy. The third book would become our third season, Don’t Tell Alfred,” he explained.     The Emily Mortimer-penned and -directed project follows James as free-spirited aristocrat Linda, who falls in love, first with a stuffy Tory politician, then an ardent Communist, and finally a French duke named Fabrice. Emily Beecham features as Linda’s best friend and cousin Fanny Logan and the story is largely seen through her eyes.     Fanny is central to Mitford’s second and third novels, but Collier said the first book’s “extraordinary characters continue to circle around the place.” Andrew Scott, Dominic West, Dolly Wells, Beattie Edmondson, Assaad Bouab, Shazad Latif and Freddie Fox also star in Season 1. Speaking at the Mipcom showcase, organized by The Pursuit Of Love sales house BBC Studios, Mortimer said she wanted the 1930s-set series to subvert period drama conventions, revealing that she drew inspiration from Sofia Coppola’s 2006 feature Marie Antoinette. “I don’t want this to feel like a period drama that’s made now about the 1930s. I want it to feel like a French film that’s made in 1965 or something, I want it to feel cool and sexy. I kept sending Lily videos of Anna Karenina doing funny dances and made them all watch A Bout de Souffle and Jules et Jim,” she said. “Sofia Coppola’s films I kept watching as well, particularly Marie Antoinette, which is so brilliant because it is a period film but you don’t have the feeling that you’ve watched a period film when you finish it. You feel like you’ve watched a film about a girl living in extraordinary circumstances at a certain time. It feels fresh, live, and exciting. She doesn’t play by any rules at all — you’re in this bucolic, beautiful period movie and suddenly the Strokes start playing or she’s wearing Converse trainers underneath her huge crinolines running down the hallway. That was inspiring to me.”     The Pursuit Of Love will premiere in the UK on BBC One and iPlayer, while Amazon will stream the series in the U.S., Canada, Australia and New Zealand. Distributor BBC Studios brokered the deal with Amazon. Charles Collier, Matthew Read and Frith Tiplady are executive producers, while Rhonda Smith is the producer.
October 06, 2020  admin Comments are off Uncategorized
September 26, 2020  admin Comments are off Uncategorized

September 26, 2020  admin Comments are off Uncategorized
August 13, 2020  admin Comments are off Uncategorized
Amazon will co-produce the BBC’s adaptation of Nancy Mitford’s celebrated novel The Pursuit Of Love, with an eye-catching cast joining Lily James. Deadline first revealed last December that James will star in the three-part Emily Mortimer-penned series, while we also reported in June that it will be among the first dramas to restart production in the UK. The BBC confirmed today that filming is underway. Joining James in the Open Book and Moonage Pictures-produced The Pursuit Of Love is Andrew Scott, Emily Beecham, Dominic West, Dolly Wells, Beattie Edmondson, Assaad Bouab, Shazad Latif and Freddie Fox.     The story is based on the first book in a trilogy about an upper-class English family between the First and Second World Wars. The comedy deals with issues of growing up and falling in love among the privileged and eccentric. James plays Radlett family daughter Linda, who falls first for a stuffy Tory politician, then an ardent Communist, and finally a French duke named Fabrice.     Beecham stars Linda’s best friend and cousin Fanny Logan, while Dominic West and Dolly Wells feature as her parents. Andrew Scott is Lord Merlin, the Radlett’s wealthy and eccentric neighbor, and Mortimer has written herself a role as Logan’s mother. Mortimer also directs. “I’ve always loved Nancy Mitford so when I was asked to adapt The Pursuit Of Love it was impossible to say no. It’s an outrageously funny and honest story, whose central character — the wild, love-addicted Linda Radlett — still reads as a radical,” she said. Production is underway in the Bristol and Bath area of south-west England. The BBC said producers Open Book and Moonage have created comprehensive production protocols and are working with safety consultants to guard against coronavirus. It is the second major show to go into production in the UK in the pandemic era following War Of The Worlds earlier this month. The Pursuit Of Love will premiere in the UK on BBC One and iPlayer, while Amazon will stream the series in the U.S., Canada, Australia and New Zealand. Distributor BBC Studios brokered the deal with Amazon. Charles Collier, Matthew Read and Frith Tiplady are executive producers, while Rhonda Smith is the producer. BBC director of content Charlotte Moore commissioned the series alongside drama controller Piers Wenger.
June 25, 2020  admin Comments are off Uncategorized
May 31, 2020  admin Comments are off Uncategorized
Pramface caps  





              Can You Every Forgive Me? Caps


May 23, 2020  admin Comments are off Uncategorized

Actor Dolly Wells on the benefits of coming in second in a world where everyone wants to be first

“It feels safer when you’re running along on the outside and you’re not at the front,” says actor turned writer- director Dolly Wells, talking about succeeding in her career later in life. “I think I was pretty lazy after university, and when the whistle blew, I was still faffing about, tying my shoes. Even once I started acting, it was hard to get jobs and have children at the same time. My career didn’t take off, and I didn’t exactly encourage it,” she says in her rapid-fire British speech. Wells’ career is now firmly in public view with her HBO series, Doll & Em, and a widely praised supporting role in the highly acclaimed film Can You Ever Forgive Me? And at 47, rather than putting on the brakes, she is entering the next stratosphere, having just written and directed her first film, Good Posture. Wells married Mischa Richter, an American photographer, at age 28 and at 30, had her first baby, Elsie, followed by Ezra a couple of years later. “I hadn’t come to grips with my career at that age. It was so lovely being a mother and having a child,” she says. “But I do remember thinking those times when they were asleep were so important and I should try to get something constructive done — but mostly I just made banana bread and watched bad TV.” It wasn’t until actor Emily Mortimer, a childhood friend, found a book she felt they should adapt that Wells started writing. “Emily gave me focus. We both had little babies at the time, and we would sit in a café at Queen’s Park in London for hours, just writing. There was so much joy in it for us that it set us up in terms of writing together later.” While Wells happily pottered around in the English acting scene, Mortimer took off for Hollywood and started to become very well-known. “She’s much more disciplined than I am — she’s very clever, and a very good actress. I was much lazier, unambitious.” Wells says she was subconsciously trying to recreate the laid-back, artistic atmosphere she was raised in. Her father, John Wells, was a British satirist and writer who became popular in the U.K. for his caricature of Margaret Thatcher’s husband, Dennis. “I grew up in a climate of fun, openness and friendliness, and I thought, ‘Oh, acting’s something I want to do,’” says Wells. She also wanted to give her children the same kind of playful, fluid, slightly glamorous upbringing she’d had. “I even brought them to work sometimes. I had a role in Star Stories [a satirical series that took a comedic look at celebrities’ lives]. There was a scene in a church, and I put Elsie and Ezra in the back and told them to be really, really silent. I was so irresponsible,” she says, laughing.
Wells and Mortimer met through their fathers, “the Johns,” who had parallel careers — John Mortimer was an English barrister turned ultra-successful dramatist and playwright. “We met when we were four, but we were more like cousins, doing skiing lessons and family holidays and things. It wasn’t until we’d both graduated from university [Mortimer from University of Oxford, Wells from Manchester] that we bonded. We stayed up all night once, talking about how we had both been monumentally dumped by boyfriends,” laughs Wells. “Just through the recounting, the stories of the breakups became more pleasurable than the hurt of what had happened.” Both women were extremely close to their fathers, but Wells’s relationship with hers was far from conventional. She was brought up as Dolly Gatacre, the youngest of six children from her mother’s first marriage. It wasn’t until Wells was in her late teens that her parents revealed that her stepfather, John Wells, was her biological father. She remembers saying at age 10, once her mother and John had married, that if they had children, she would get jealous. “And my mother said, ‘Well, we sort of have.’ My first thought was, ‘That might be me.’” Wells changed her surname soon after she found out. “Knowing the truth was a relief. But it was quite a lot to carry. Before I knew he was my dad, I felt so guilty because I was crazy about him — I felt badly that it was so easy with him,” she says. Tragically, six years after she was able to start calling him “Dad,” John died at age 61 of non-Hodgkin’s lymphoma. “It was a weird, horrible, sad time,” says Wells. “There were some articles in The Guardian and other publications that suggested I could jump on his fame. I didn’t feel I had anything to be proud of, or talk about. I was quite in denial about his dying. I hid and lay low for a bit.” Continue reading  »
April 30, 2020  admin Comments are off
April 28, 2020  admin Comments are off

Voice Work

Dirty Diana 2020 (podcast)

NYC Ballet x GERONIMO 2018

Beast Of The Lawn 2012 (radio play)




Moonstone 2000 Project



Direct Line – May 2020

Marmite “Spread the Love” 2010

Boots Opticians 2009

Hero Fruits 2 Day 2006




Action Aid – Joe the Landlord

Action Aid – Agency

April 22, 2020  admin Comments are off Uncategorized
Love Spreads is an exploration of the creative process when the pressure is mounting on band members to put together another album. Following the end of their first tour, the members of Glass Heart head to Rockfield Studios to record their sophomore album. The trio–and their band manager–are couped up there in an effort to create some music. Like any sophomore effort, the pressure is on and for singer-songwriter Kelly (Alia Shawkat), it starts to become too much. Band manager Mark (Nick Helm) is frustrated with the lack of results. While Kelly struggles to create, another band member has come up with several song ideas. However, there are really about 6-7 of those songs that could realistically work for the second album. Then there’s Alice, who has come up with some chord ideas. Meanwhile, Jess helps Kelly with writing some beats. Altogether, the songwriting process is a team effort. But at the end of the day, will it be enough to put together songs for the always-pressured second album? This is a a film that I’m sure many creatives can resonate with at the moment. It’s mid-April and many of us have been couped up in quarantine for a month with no end in sight. I’ve looked at a blank page on a screen only to struggle when it comes to typing words. So yes, I can completely resonate with Kelly and I know I’m not alone in this regard. I like what writer-director Jamie Adams is doing with the film. Writer’s block can be a serious problem. Now more than ever, there’s so much anxiety that it can become very problematic in overcoming. In exploring the creative process by way of a band, Adams looks at how the friendships can break down during the recording process. DIRECTOR/SCREENWRITER: Jamie Adams CAST: Alia Shawkat, Eliza Gonzalez, Chanel Cresswell, Nick Helm, Dolly Wells, Tara Lee Love Spreads was scheduled to premiere during the 2019 Tribeca Film Festival in the Spotlight Narrative program. Grade: 3.5/5
April 15, 2020  admin Comments are off

Blunt Talk


Room 104

Our animations

April 15, 2020  admin Comments are off
  Animations       Podcast  
April 14, 2020  admin Comments are off Uncategorized

EXCLUSIVE: Here’s a positive news story in challenging times. Filming is underway on a charitable, filmed-from-home pilot starring Brian Cox (Succession), Claes Bang (The Square) and journalist-presenter Mariella Frostrup, among others.

UK producer Maggie Monteith (Swimming With Men) has enlisted an all-female, transatlantic team of writer-directors for whodunnit The Agoraphobics Detective Society, whose proceeds will go to UK and U.S. film and TV freelancers impacted by coronavirus. The pilot for the eight-episode show will see a distraught group of patients band together to find a renowned expert psychiatrist who disappears without explanation. Also among actors filming their parts digitally from home during the lockdown are Ian Harvie (Transparent), Nathan Stewart-Jarrett (Misfits), Antonia Campbell-Hughes (Kelly + Victor), Grace Van Patten (The Meyerowitz Stories), Nicole Ansari-Cox (Remember Me), Simon Kunz (The Parent Trap) and Josephine Butler (Doctors).   The pilot will be available to view later this month at the Pinpoint Presents site and viewers will be asked to donate what they can afford to view. Funds will go to the UK’s Film And TV Charity and the Motion Picture & TV Fund in the U.S. The writer-directors of the pilot comprise Dolly Wells (Doll and Em), Suzi Ewing (10×10) and Heidi Greensmith (Winter). The Souvenir and Swimming with Men’s David Raedeker is undertaking cinematography duties, Connor Hamill is looking after camerawork and Anousha Payne and Ryan Thomas are providing production design. Denise Coombes and Karen Bertellotti are handling costume design and Mandi Anderson is providing make-up and hair consultation. Adelina Bichis and Gideon Gold are editing, and post-production services are provided by Pat Wintersgill at Film Shed and Nick Baldock of Art4Noise. Walter Mair is composer and is due to shortly reveal collaborations with U.S. artists for the soundtrack. Producer Monteith told us about the project she originated, “The logistics of filming where people are sheltering in place was the toughest logistics problem to solve outside the mystery of international time zones. A bespoke solution was found for each actor, according to their phones, laptops and computers. A combination of downloadable apps and enhancements, and help delivered in the form of props, wardrobe, hair and makeup products and tech items, made it possible to get usable takes.”
April 11, 2020  admin Comments are off Uncategorized

Episode notes

  Actors Emily Mortimer and Dolly Wells join Anna Smith for a lively discussion about films, friendship, nostalgia, and the notion of 'strong women'. The pair take us behind the scenes in their TV series Doll & Em, and talk about Good Posture, Dolly's directorial debut starring Emily as a reclusive writer living in New York. Dolly also discusses Can You Ever Forgive Me? and Emily reveals the connection between The Newsroom and Doll & Em. The second of Girls On Film's special 'Isolation Pods', this episode also features Doll and Em's recommendations for home viewing, from family favourites to edgy new gems on streaming. If you've enjoyed this episode, please review and subscribe to Girls On Film and considering supporting us by becoming a patron. Thank you! Share your #homemovieposters created during quarantine at: Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. This episode was recorded in April 2020.
March 21, 2020  admin Comments are off
March 04, 2020  admin Comments are off

Moonstone 2000 Project



March 04, 2020  admin Comments are off

The Whirligig


The Underpants

Aunt Dan and Lemon

Tamagotchi Heaven

 As You Like It

The Rivals


March 04, 2020  admin Comments are off

Starring in 

Love Spreads 

Can You Ever Forgive Me?


Home Again

I do..Until I Don’t

Izzy Gets The F*ck Across Town

Bridget Jones Baby

Black Mountain Poets

Pride and Prejudice and Zombies

45 Years

Jolene: The Indie Folk Star


The Magicians

Bridget Jones Diary 

I Capture The Castle

Morvern Callar






Good Posture 

March 03, 2020  admin Comments are off
Soulmates  2020 At Home with Amy Sedaris 2020 The Agoraphobics Detective Society/Little Rooms - 2020 Director For Life?? Dracula - 2019 Portlandia Bad Mother Blunt Talk Doll & Em Spy Dolly and Laura Some Girls Casualty Starlings Pramface Noel Fielding's Luxury Comedy Spy Campus The Mould in Dr Florey's Coat Free Agent Star Stories Horne and Corden sketch show Funny Cuts Dolly and Laura Star Stories Peep Show Whites Funny Cuts Start Stories It Crowd Tony Biscotti School for Dramatic Youth Star Stories Doctors The Final Quest French and Saunders - Cold Mountain Murhpy's Law - The Group Sex Traffic Peep Show - Paula The Gathering Storm Bertie and Elizabeth Murder Rooms: Mysteries of The Real Sherlock Holmes In the Name of Love Dinner Ladies

March 03, 2020  admin Comments are off
March 03, 2020  admin Comments are off

Dolly Wells was born on December 5, 1971 in Merton, London, England as Dorothy Perpetua Gatacre. She is an actress and writer, known for Pride and Prejudice and Zombies (2016), Bridget Jones’ Diary (2001) and Doll & Em (2013). She has been married to Mischa Richter since 2000. They have two children.


Dolly has most recently been seen playing the lead role of ‘Sister Agatha’ in the Mark Gatiss and Steven
Moffat BBC 1 / Netflix series DRACULA. She has most recently wrapped on filming the AMC series FOR
LIFE. Other recent credits include CAN YOU EVER FORGIVE ME? alongside Melissa McCarthy and Richard
E. Grant. She is also known for two series of DOLL & EM, which she co-starred in and co-wrote with Emily
Mortimer, and BLUNT TALK (both for HBO).



Her Agent: independent talent 




Stage combat


Basic tap, jazz dance

Full clean driving licence

March 01, 2020  admin Comments are off

Request/Anonymize Your Data

You can have full control over requesting and deleting/anonymizing your data at this following link.


Simply Dolly is 100% unofficial. The site is fan run, for the fans. All original text and graphics belong to stated otherwise), all pictures, scans, screencaps etc. are copyright to their original owners. This site is non-profit, and is in no way trying to infringe on the copyrights or businesses of any of the entities. All content posted up on this site is used under the Fair Use Copyright Law 107. All photos are copyright to their respective owners. If you would like something removed please contact me.

This Privacy Policy governs the manner in which Simply Dolly collects, uses, maintains and discloses information collected from users (each, a ‘User’) of the website (‘Site’).

Personal identification information

We may collect personal identification information from Users in a variety of ways in connection with activities, services, features or resources we make available on our Site. Users may visit our Site anonymously. We will collect personal identification information from Users only if they voluntarily submit such information to us. Users can always refuse to supply personally identification information, except that it may prevent them from engaging in certain Site related activities.

Non-personal identification information

We may collect non-personal identification information about Users whenever they interact with our Site. Non-personal identification information may include the browser name, the type of computer and technical information about Users means of connection to our Site, such as the operating system and the Internet service providers utilized and other similar information.

Web browser cookies

Our Site may use ‘cookies’ to enhance User experience. User’s web browser places cookies on their hard drive for record-keeping purposes and sometimes to track information about them. User may choose to set their web browser to refuse cookies, or to alert you when cookies are being sent. If they do so, note that some parts of the Site may not function properly.

How we use collected information

Simple Dolly may collect and use Users personal information for the following purposes:

  • To run and operate our Site
    We may need your information display content on the Site correctly.

How we protect your information

We adopt appropriate data collection, storage and processing practices and security measures to protect against unauthorized access, alteration, disclosure or destruction of your personal information, username, password, transaction information and data stored on our Site.

Sharing your personal information

We do not sell, trade, or rent Users personal identification information to others. We may share generic aggregated demographic information not linked to any personal identification information regarding visitors and users with our business partners, trusted affiliates and advertisers for the purposes outlined above.

We may share or sell information with third parties for marketing or other purposes.


Ads appearing on our site may be delivered to Users by advertising partners, who may set cookies. These cookies allow the ad server to recognize your computer each time they send you an online advertisement to compile non personal identification information about you or others who use your computer. This information allows ad networks to, among other things, deliver targeted advertisements that they believe will be of most interest to you. This privacy policy does not cover the use of cookies by any advertisers. You may learn more about opting out of major ad networks at

Google Adsense

Some of the ads may be served by Google. Google’s use of the DART cookie enables it to serve ads to Users based on their visit to our Site and other sites on the Internet. DART uses ‘non personally identifiable information’ and does NOT track personal information about you, such as your name, email address, physical address, etc. You may opt out of the use of the DART cookie by visiting the Google ad and content network privacy policy at

Changes to this privacy policy

Simply Dolly has the discretion to update this privacy policy at any time. When we do, we will revise the updated date at the bottom of this page. We encourage Users to frequently check this page for any changes to stay informed about how we are helping to protect the personal information we collect. You acknowledge and agree that it is your responsibility to review this privacy policy periodically and become aware of modifications.

Your acceptance of these terms

By using this Site, you signify your acceptance of this policy. If you do not agree to this policy, please do not use our Site. Your continued use of the Site following the posting of changes to this policy will be deemed your acceptance of those changes.

Contacting us

If you have any questions about this Privacy Policy, the practices of this site, or your dealings with this site, please contact us.

Simply Dolly Wells is an UNOFFICIAL and NONPROFIT fan web site, created by a fan for other fans. Webmasters behind this web site are simply friendly fans showing appreciation and dedication towards the amazing actor. We are not Dolly Wells, and we do NOT have ANY affiliation with Dolly Wells or her management. All images are copyright to the their respective owners, and all graphics and original content are being used under the Fair Copyright Law 107. No copyright infringement is intended.